Posts Tagged ‘Ricky Gervais’

David Gray in Detroit – A Prelude to the Oscars

Thursday, March 3rd, 2011

When I got an e-mail from DavidGray.com announcing the dates for David Gray’s Lost and Found Tour, I was upset. David Gray was coming to Chicago, but he was coming on Sunday February 27th, the night of the Academy Awards, a night I can’t miss, even for my favorite musician. So the choice was clear, I was going to drive up to Detroit to see David Gray the night before and rush back to get my house ready for the biggest turnout yet for my annual Oscar party.

It was surprisingly easy to find a driving partner and partner in crime for my one day mission to Detroit. My friend and ex-roommate Kevin is a huge D Gray fan, so the desire was there.  As far as the logistics, it helped that Kevin is a professional poker player on a crazy-late sleep schedule so the idea of making the five hour drive back to Chicago at 11 o’clock at night was nothing for him.  The drive to the event is always easy because of the anticipation and we made it even easier by listening to a bunch of David Gray and then finishing off the drive with two hours of The Ricky Gervais Podcast with me chiming in with a bunch of Karl Pilkington stories from his show An Idiot Abroad.

I keep hearing that Detroit doesn’t have a real downtown area, but whoever said that is dead wrong.  We parked our car next to Comerica Park where the Tigers play and near the Fox Theatre where Ke$ha was performing that night, too.  That must have been a real Sophie’s Choice moment for Detroit…David Gray or Ke$ha…hm.  Our show was at the Detroit Opera House which was a beautiful venue, much smaller than the Chicago Theatre (where I’ve seen David Gray before), but with a similar ornate-movie-theater decor.  I got screwed out of the pre-sale so Kevin and I bought 4th row broker tickets for well over face value, but they were definitely worth it.  This was the closest I’d ever been to David Gray and it made for a really great show because in Detroit, he was especially expressive and interacted with the audience throughout the whole performance.

This was one of the best shows I’ve seen Gray put on and after we clapped our hands off and the lights went up in the Opera House, I told Kevin, “Let’s follow his bus to Chicago.”

He looked at me like I was nuts, “No way, he’s going to stay the night here and drive to Chicago tomorrow.”

“He can sleep on the bus.  Let’s go.”  I worked him and worked him and eventually Kevin broke down and we parked the car about thirty yards from the tour bus and waited and waited for them to leave.  As we watched out the windows we saw a small group of teenage girls and middle aged men and women pool around outside the gates of the tourbuses and I started to realize that even better than following the bus, we might actually be able to get his autograph.

“Let’s go,” Kevin said, after another twenty minutes of waiting.

“No, wait, five more minutes.”

“Fine,” he said.

“Seven?” I asked.

Kevin shook his head and I knew I could only hold him for five more minutes.  We nearly spent these five minutes when I saw the group of teenagers jump up and down and scream and I knew he was there.  I grabbed a McDonald’s napkin and flew out the door.  A few seconds later I was standing in front of David Gray when I had a total Ralphie-in-front-of-Santa-Claus moment from A Christmas Story.  I totally froze.

“Who’s it to?” David asked me in his raspy voice.  Um.  Um.  All I could hear was Kevin shouting the name of one of my favorite songs in my ear, ‘The LightThe Light!’  He repeated himself, “Who’s it to?”

I finally got it out, “Jordan,” I told him.  Then I asked him about the song Kevin was yelling about (‘Football?  Football?  What’s a football?’ - Ralphie) “Do you ever play The Light in concert?”

He kept his head down writing and said, “Sometimes…sometimes.  Occassionally.”

“I’ll just have to keep seeing you then,” I said.  And then, “Not that I wasn’t happy with what you played tonight.  Great set.”  He just nodded and went on to sign the next autograph and the next and he stayed outside until everybody had a picture or signature.  As he finished up he grabbed his bottle of Heinekin back from his manager and turned back to his bus.  Right before he disappeared behind the gate I shouted out, “Thanks, David!  Great show.  Just great.  Thanks!”  He turned back and met my eye, and nodded with a small smile on his face.

Kevin and I got back in the car and we flew through Detroit to the outskirts, riding high on meeting our favorite musician, trying to find the safest place for our autographs in the road-trip-trashed front seats of his Corolla.  As good as I knew David Gray would be in concert, I never expected to meet my absolute favorite musician of all time that night.  My awesome girlfriend already framed the autograph (there’s nothing more dangerous than an autograph on a McDonald’s napkin, especially with my spring allergies on the way) and I just need to find the perfect spot for it in my house.  It’s definitely not going up until after my Oscar party Sunday, I’m not taking any chances with this one.  And here’s some advice if you ever meet your hero: Don’t pull a Ralphie.  Have something ready to say, just in case.  And check out The Light, it’s a great song.  Here is a link for a David Gray concert review I wrote for LuminoMagazine.com back in 2005: http://www.luminomagazine.com/mw/content/view/704/10/

Karl Pilkington – An Idiot Abroad

Tuesday, March 1st, 2011

Karl Pilkington is a man who can’t appreciate a meal until after he’s eaten it, for years he’s been keeping an eye on his pinkie fingers because he doesn’t think they do enough, and his idea of art is a mirror because the picture is always changing. Now, Karl Pilkington is lending his unique perspetive to world travel and the Seven Wonders of the Ancient World on his show An Idiot Abroad.

Ricky Gervais and Stephen Merchant, the creators of The Office and Extras, are calling An Idiot Abroad the most extravagent practical joke they could ever play on their friend Karl. It is worth every penny they spent. Initially, Karl was told the show would be called Karl Pilkington’s Seven Wonders and it wasn’t until he was already on the road and well until filming that Ricky Gervais sprung the new title on him. And the title is just the beginning of the joke. Karl is the most uncomfortable traveler you will ever see on TV as he struggles with his accomodations, the local customs and definitely the food. He spent a minute gagging on the worm at the bottom of a bottle of Mezcal in Mexico and trying to keep down cooked toad and vegetables in China. On top of that, he is completely underwhelmed by the Seven Wonders themselves. While in the stone-carved ancient city of Petra in Jordan, Karl said he wouldn’t like to live in the “Wonder” because he would have a terrible view. He would rather live in the cave across from the “Wonder” so he would always have a better view. That is the kind of unique thought that puts Karl somewhere between an idiot and a genius and what makes this show so successful.

Any other travel program tries to give the impression of a well-organized and smooth vacation. There are fixers on location to help the travel host navigate the new city comfortably and to make an informative program. In this respect, An Idiot Abroad, holds absolutely true to its mission statement. The point of the show is to make Karl uncomfortable and that is what you get so much of the time. To write any more would be to give away some of the best comedy on TV, but it would also take away from one of the better and more realistic travel shows on TV today. There is still the high budget and a ton of pre-planned adventures for Karl to experience, but simply becuase he gives an unpolished, unfiltered opinion on his trips, you get closer to the idea of what foreign travel can really be. It can be exhausting and overwhelming and broadening and enlightening all the same time and that’s the real wonder of travel. And watching Karl struggle through all of this every day of his trips is absolutely hilarious and completely endearing. He is a fascination and so is An Idiot Abroad.

The Office…Sucks

Friday, November 12th, 2010

I was going to write this post after last week’s horrendous episode, but I’m glad I waited.  Things at the Office are either going nowhere or they’re going downhill and they’re going there fast.

I was a HUGE fan of The Office.  The British, The Office.  The original, The Office.  It was a perfect show.  And there was one lesson that I wish the American version of the show would have learned.  I wish they learned that, eventually, the show has to end.  That end would have come neatly two seasons ago when Jim and Pam got engaged.  Before they got really, really…boring…zzzz…That end would have come before Erin took a hold and became a regular character with those jaw muscles that go all the way to the edge of her square face and almost trump her creepo personality.  That end would have come before Dwight and Angela’s sex contract, the most drawn out device ever invented to try and make a used-up and useless character seem relevant.  That end would have come before Saber and Gabe.  That end would have come before the writers tried to make Andy and Erin the new Jim and Pam.  And that end would have come before the complete destruction of Michael Scott.

Michael Scott was always pushing our comfort zones, but now he has actually become unlikeable.  The lengths he goes to to disrupt and depress and hold down the lives around him make the character bankrupt of heart and beyond our caring.  He unplugged someone’s cable in order to ruin their party on this last episode.  It’s just stupid.  This person would have been written out of everyone’s lives long ago.  This person would have been fired.

The British version of The Office had a believable story arc and the brilliant writers (Ricky Gervais and Stephen Merchant) ended the show on their terms after only two seasons and a genius Christmas Special.  It would be a great Christmas gift to all of us who watch the slop that is the American The Office if they finally just gave it a rest.  I’m really tired of this show and I’m really tired of Michael Scott.  The Office has run it’s course.  I quit.

Are You U2? You Don’t Have a 2 in Your Name.

Thursday, August 26th, 2010

Last night I went to see David Gray and Ray LaMontagne at Millenium Park in Chicago.  That is the best venue I’ve ever been to.  The best venue where you can’t actually see the performers anyway.  The music pavillion is nestled in among the skyscrapers of Chicago, lit by the ambient light and washed over by the warm accoustics.  A friend of mine was telling me about another band we like, The Frames, and telling me that they’re coming to Chicago soon.  While I was looking for tickets to The Frames, I came across tickets for the comedian Mike Birbiglia.

Mike Birbiglia is hilarious and he’s what I’d aspire to if I aspired to be a stand up comedian.  He follows the Bill Cosby philosophy that simply telling funny stories can be stand up comedy.  You don’t need jokes in quotes.  “Jokes.”  I’ve actually seen him live once already, but only for a few minutes.  He’s performed on This American Life on the radio and I saw a live taping of that show, so I was lucky enough to see Mike Birbiglia.  I had no idea he was coming to town, so I felt lucky again that I found his tickets before he left town or before they sold out.

No worries there!  This guy is selling tickets to his comedy show for over $65 a ticket.  That’s general admission, $65.  Is this guy U2?  I don’t think so.  I don’t see a 2 in his name.  Is there a 2 in Birbiglia?  There’s not even a two in the price of his tickets!  I paid $100 for U2 last summer.  U2!  Is Mike Birbiglia 2/3 of U2?  Mike Birbiglia isn’t even two thirds of U2 without Bono.  Mike Birbiglia isn’t even 2/3 of Adam Clayton or Larry Reynolds Jr.  I’d love to see Mike Birbiglia, he’s great.  But he’s an idiot if he thinks I’m going to pay $65 for him.  You know who I did pay $65 for?  Ricky Gervais.  Mike Birbiglia isn’t Ricky Gervais.  He might not even be 2/3 of Ricky Gervais, no offense to Ricky.

A Good Year, Not a Golden One

Sunday, January 31st, 2010

I’ve never been a big Golden Globes watcher.  I think it’s got something to do with how they mix in the TV and the movies.  And maybe how they’ve got awards for best comedy movie and best dramatic movie.  There should be one best picture every year.  I just love the class of the Academy Awards, even though somebody should remind them that a comedy can be a best picture and so can a cartoon and they shouldn’t need a ridiculous ten nominees to recognize that.

Ricky Gervais hosted this year’s awards so I couldn’t stay away.  And they were good.  Not great, but good.  Gervais was really funny.  He’s so confident up there, drinking beer, pitching his shows and books and tours unabashadedly.  The guy is just too good for someone else’s show.  He needs and deserves his own forum.  And, wow.  Christina Aguilera looked unreal.  She dressed to the nines.  The last of the best for me was Mickey Rourke.  During a break for commercial he was talking to Mike Tyson.  Mickey Rourke one of the only guys in Hollywood who you’d believe Tyson would want to talk to himself and just the star trying to look cool next to the champ.  Rourke was so funny, too, when he named Sandra Bullock as Best Actress and looked so pissed.  He actually looks at the envelope a second time to make sure he didn’t miss something.  She was really great in the Blind Side, though.  It’s the kind of performance that sometimes falls through the crack at the Academy Awards, glad it got recognized here.  And a good speech from Sandra.  They tried to cut her off, too though.

Then, talk about the most annoying person ever.  Chloe Sevigny complained that someone ripped her dress while she’s accepting her Golden Globe.  That’s an actress that’s got her priorities straight.  “Oh man, my Vera Wang!  If I didn’t win this award this never would have happened.  Thanks a lot Hollywood Foreign Press.”  The speeches weren’t that exciting, other than Christoph Waltz who deservedly, so deservedly, won for Inglorious Basterds.  It doesn’t help that they cut everybody off as right from the gun.  And why?!  So we can get to local news.  So Warner Saunders can depress me about school closures and car accidents?  I hate the cutoff.  Why give them a fucking award if you don’t want to hear them thank you for it?!!!  And I don’t think I like Jason Reitman.  Up in the Air was good, but how does he stand up there and say he expected only Tarantino of the five nominees in his category to win other than himself.  I’d feel pretty crappy if I was a Mark Boal who wrote The Hurt Locker or Nancy Meyers, or the District 9 crew (but not as much if I wrote District 9).  Then he looks like such a sourpuss when James Cameron wins Best Director.  Maybe someone should have him write his last into IMDB and see what pops up.  Probably a much better director.

All in all, I’m not a convert, they didn’t do it this year.  But it was good to see TV shows I really like get recognized, like Glee winning for Best Television Series (Comedy or Musical).  The Golden Globes are something you watch and if you’ve got to do something else while you watch them, no problem.  It’s not like I had a Golden Globe party with sticks and a pool.  No sir.  I have an Oscar Party.